Any musician who is able to professionally record and release music commercially is very fortunate. We have been very fortunate in that regard while having collaborated with hundreds of extremely talented musicians around the world. Following is our discography of commercial audio recordings that represent our life’s work to date as artists. Our deepest thanks to all of you over the years who have collaborated with us to realize these visions. We appreciate your talent, of course, but value your genuine collegiality and passion for creating great music.
–
The Burnett Family, est. 1979
ALBUMS
ORIGINALS
(2024)
PHOTO: THE ORIGINALS ARTISTS, GORDON BROWN + WILL CRAIN OF BRC AUDIO PRODUCTIONS
THE STANDARDS VOL. 2
(2022)
PHOTO: T RECORDING FLUTE IN THE STUDIO AT BRC AUDIO PRODUCTIONS
THE STANDARDS VOL. 1
(2021)
PHOTO: THE FOUR WOODWINDS OF THE +5
TIME FLIES
(2000 + 2013)
PHOTO: DON MILLER, MIXING AND REMASTERING AT AIRBORNE AUDIO PRODUCTIONS
SINGLES/EP
FREEDOM FLIGHT
(2021) SINGLE
PHOTO: THE STANDARDS QUINTET +SSK AT BRC AUDIO PRODUCTIONS
BALLAD FOR AN OPTIMIST
(2014) FIREBIRD EP
PHOTO: CRAIG RETTMER AT C.R. SOUND
A RISK I TAKE
(2014) FIREBIRD EP
PHOTO: “ORIGINALS” PLAYBACK IN CONTROL ROOM AT BRC AUDIO PRODUCTIONS
FIREBIRD
(2014) FIREBIRD EP
PHOTO: ALTO BOOK FIREBIRD SESSIONS
THEME MUSIC
(2003) THEME MUSIC EP
PHOTO: AT THE CORNER OF 18TH AND VINE
COLLABORATION
ECHOES OF EUROPE
(2017)
PHOTO: DINO REHEARSING THE FLUTES / DinoMassaKC.com
US MILITARY BANDS 1974-1996
ESSAYONS “LET US TRY”
(1995) COMPACT DISC
PHOTO: “ESSAYONS” ARMY COMMUNITY NEWSPAPER FORT LEONARD WOOD
ARMY BANDS SAMPLER
(1984) CASSETTE TAPE
PHOTO:Cassette + insert liner noTES containing SELECT audio recordings
of several ARMY BANDS FROM VARIOUS PERFORMANCES
Our nonprofit jazz program discography.
KANSAS CITY AREA YOUTH JAZZ
FOUNDED 2018 YOUTHJAZZ.US
Jazz, the music itself, has proven to be both progressive as an art form and resilient as an economic engine for over a century. It’s so much bigger than our individual persons. As also its educators and entrepreneurs, we artists are also essentially responsible for maintaining its economic viability. In addition to passing along the art as musical craftsmanship, the successful artists must perpetuate the art form by teaching music business industry infrastructure skills that are vital for sustainability from era to era to the next generations in the jazz continuum. All phases, stages and places in a jazz artist career are necessary to the art.
–
The Burnett Family, est. 1979
PHOTO: OFFICIAL ALLMUSIC DATABASE LISTING
